The writing process: a ‘dark ages’ time-slip novel

Where did you get the inspiration for the book/series?

To be honest, my ideas come into my mind pretty much unbidden. I’m constantly curious about people, relationships, history, things around me, and I read and research a great deal, but of course it takes a lot of imagination to develop the ideas into a viable story. In the first of the Dr DuLac series, A Shape on the Air, I wanted Dr Viv to have a troubled relationship, to have a traumatic experience that would lead to a time-slip and a deep connection to another woman in the distant past. The idea for A Shape on the Air came from my interest in early medieval history which was my first research field, the post-Roman, early Anglo Saxon era, commonly called the Dark Ages. I’d been reading recent research, mainly archaeological stuff, that supported my view that it wasn’t so ‘dark’ in the sense of barbaric fighting, invasions, and brutality, but that it was actually marked by richness and diversity. I am also very interested in the concept of time and I’d wanted to write a time-slip for ages – but then you have to think, how could it actually happen to normal people in their everyday lives?

Do you write using pen and paper or on a computer?

I write on my computer so that I can easily edit as I go, but my research notes and planning notes and graphs are usually the old pen and paper, and post-its everywhere. I have a pinboard beside my desk and I fill it for the novel I’m currently writing, with pictures from the history I’m writing about and inspiration for characters. For example my inspiration for Dr Viv is a pic of Rachel Weiss (looking elegant and thoughtful) and Rev Rory is James Norton in the role of Rev Sidney Chambers (gorgeous!). And there are lots of pics of early medieval banqueting halls (mead halls), Anglo Saxon warriors and ladies, a dark ancient mere, and the prototype of Viv’s apartment which is actually somewhere I once lived just outside  Oxford.

Who is your favourite character out of your stories and why?

My favourite character is always the one I’m writing at the moment! In A Shape on the Air, I loved Dr Viv/Lady Vivianne (traumatised by Pete’s betrayal/Sir Pelleas’s brutality) and Rev Rory/Sir Roland (a hunk but also sensitive and caring), but I was especially fond of Tilly/Tilda who is very sweet and such fun I really enjoyed writing her.

If you were a character in your story, which would you like to be?

I think it would have to be Lady Vivianne because I guess 499 AD would have been an exciting time to live in, caught between the Roman world and before the Anglo Saxon era was properly established. It was a time of change and uncertainty but also an opportunity for making your mark. Women were respected as part of the leadership of communities and Lady Vivianne holds her own in difficult circumstances. And I think she’s a good person with the interests of her community at heart. Although she was brought up as the daughter of the king/chieftain, she is not arrogant or entitled; she wants a more equal world.

How and why did you choose the names for your main characters?

I started with Lady Vivianne. The names Vivianne, Nimue, Nivian etc are the names associated with the Lady of the Lake in Arthurian legend (which is important in the story) and I had to choose a name that could translate to a modern equivalent, hence Dr Viv. Likewise Sir Roland which was a common name in English and French medieval legend, and then Rory came from that. It was the same for all the other characters in the two time periods. I deliberately didn’t choose totally authentic pre-Anglo Saxon/Britonic names because that wouldn’t have worked with the dual times and additionally, they would have been more difficult to read! It was a conscious decision to approximate a modernisation of historic names. After all, I’m writing characters who are from different ‘tribes’: Briton, Celtic, Roman, Angles, Saxons!

What are your future plans as an author?

I’ve written the sequel to A Shape on the Air and it’s set in Madeira. It’s provisionally called The Dragon Tree. Again Viv has a traumatic experience, so you can guess what that leads to! It is a time-slip/dual time story and goes back to the 14th and 16th centuries on the island which were fascinating times. I’ve also written the third in the Dr DuLac series, The Rune Stone, which returns to my favourite early medieval mystery. It involved a lot of research into ancient runes which was fascinating. Moving house in between lockdowns created a hiatus for me (so much to do and hard to concentrate) but I’m now starting a new novel, Daughter of Mercia which has cross-overs to the Dr DuLac series. For the moment, I want to stick with early medieval/Anglo-Saxon time-slip mysteries, as this has become my identified author brand. But who knows …?

http://myBook.to/ASOTA

A Chatsworth Christmas

In a corner of Derbyshire

In a beautiful corner of Derbyshire, beyond Matlock, stands the magnificent Chatsworth House and every Christmas it holds a series of special events on an appropriate wintry theme. The grand house is decorated in fantasy and visitors can walk through the different rooms each with a sub-theme. The magic happens every year, but the year that sticks particularly in my mind was the one focused on the Victorian author Charles Dickens, and of course A Christmas Carol loomed large. The scenes in each room were breath-taking and you stand in wonder looking at the amazing detail the designers created.

Of course there was a room dedicated to Scrooge’s bedroom, the haunted skeletal figure of the old man sitting up in his four-poster bed staring in wide-eyed horror at the apparition before him. And of course the ghosts of Christmas Past, Present and Future appeared in all their glory.

Another room, one of the great banqueting halls was home to Great Expectations, a huge table running the length of the hall, laden with cobweb smothered tableware, candelabras and food. As we drank in the spectacle we startled at the sight of Miss Haversham, in her ancient tattered wedding dress, moving ghost-like across towards us, muttering and moaning.

The gardens were frosty that December day and the silvery trees in the park and lining the drive added to the ghostly atmosphere.

Needless to say the gift shop provided many a gift and stocking filler, nicely in time for Christmas.

And of course, the cleverly animated snowy scene of Dickensian London prompted me to hurry home to bake my historical recipe of Victorian Boozy Plum Pudding and heat mulled wine from my Christmas Kitchen chapter of The Old Rectory: Escape to a Country Kitchen at http://myBook.to/TheOldRectory

Christmas at Chatsworth

 

As usual Chatsworth was a delight at Christmas time and this year the theme was Charles Dickens – so wonderful for me, as a writer. The picture above isn’t our Christmas dinner at the Big House … look closely and you’ll see the cobwebs over a wedding feast. Yes, it’s Great Expectations, and Miss Haversham was there to greet us!

She was joined in other parts of the house by Ebenezer Scrooge, startled in his bed by the ghost of Christmas Past …

… and we loved Fagin, and the London Christmas of Oliver Twist….

…  the magical creations of houses sculpted from old book pages, the Christmas tree made from books …

It was all simply charming. But the day was truly icy as we wandered round the gardens, remembering the many days we’ve spent walking there in summer, along the river and across the parkland, but what a lovely walk it was, despite noses and mouths freezing. It was a fantastic start to the Christmas period and we look forward to next year’s theme.