Tag Archives: writing

Virtual Book Tours: what are they?

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I love virtual book tours! And above you’ll see an image form one I did recently. But for the uninitiated – what are they?

We’ve all seen (or heard of) authors touring round venues with their new book, doing signings, giving talks, with a schedule of stops/events in a variety of places over a period of maybe a week or two. Nice for the audience of potential readers/followers to meet their writer idol, but exhausting for the poor author! For many of us it can get ‘a bit too much’ – and also interrupt the progress of the next book!

So, virtual book tours – what are they, how do they work, and do they help with promoting a book? I’ve often been asked this by fellow authors. They’ve been around for a while now but they really took off in Covid lockdown when authors couldn’t travel around doing physical face-to-face talks/meet and greet/book signings. That’s when I got hooked!

You don’t need to spend precious time travelling, you do it all online from your desk. Your tour ‘stops’ over a period of 5, 7 or maybe 14 days are book enthusiasts’ blogs on Facebook, twitter, Instagram etc. You may choose to do all-review tours or you may want to provide guest posts, or simply ask for a feature post. In all cases your book cover and details such as a short blurb, author profile, social media links, buy-links etc are posted.

It’s also a better way for readers who may not be able to make a physical event because of other commitments or difficulty travelling to a venue far away or because of health or disability factors. And anyone can access the blog stop and read about a new or favourite author or their new publication! The tour organiser spreads the news of the tour and the links to the stops, on all their socials. They should also provide the author with the schedule containing all the dates on tour and the direct links to each blog/feature. For me, that’s a much more effective promotional tool.

I’ve used virtual book tours for a few years now and can really recommend them – as long as you do your research and choose carefully. There may be a bit of trial and error in finding the tours that suit you and your writing best. Over the years I’ve tried out several. Now I have three that I use regularly, either with a newly published book or to refresh interest in a novel that’s been out there for a while. But there are some I have tried and rejected mainly either because the organiser was too disorganised or they didn’t keep me informed with posts or feedback. Some are ridiculously expensive for what they purport to provide (and some don’t actually fulfil their brief), so look at a range and see how much they vary.

My recent tour is illustrated above – or at least one of the images from the wrap-up from the tour, which gave me some quotations from the reviews. This is one such. Personally, I have a favourite specialist tour for historical novels, because you know that the audience is looking for that genre (although the potential reader may be interested in a different historical period from the one you write in!), a favourite specialist tour for romance, and a more general tour for all genres of novels.

Whether they result in an immediate tsunami of sales or not depends on a number of factors. But they certainly increase your profile, and perhaps bring your name and work before potential new readers. That has to be good!

A Shape on the Air can be found at https://myBook.to/ASOTA

and its sequels, and all my books at https://Author.to/JuliaIbbotsonauthor

NEWS of new arrivals in the world of mystery and romance!

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I’m thrilled to share with you the news of my sequels to A Shape on the Air! The next two feature the same main protagonists, Dr Viv DuLac and Rev Rory Netherbridge, so beloved of my readers. [ http://myBook.to/ASOTA ]

The Dragon Tree is set on the beautiful island of Madeira where Viv and Rory escape a personal tragedy, and it features a 14th century shipwrecked noblewoman and a 16th century rebellious nun. Can Viv solve the mystery of the historical link between them and find peace for herself and the island? [ http://myBook.to/TDT ]

The Rune Stone returns to England and features Viv and Rory’s quiet country churchyard where they discover an ancient rune stone with a mysterious runic inscription. We return also to the Anglo-Saxon Lady Vivianne and Sir Roland. Can Viv bring resolution to Lady Vivianne and harmony to Rory’s parish? [ http://myBook.to/TRS ]

All available now at Amazon through http://Author.to/JuliaIbbotsonauthor

And do please check out the series (1-7) on Anglo-Saxon life and times on this blog starting with the first article on the social organisation in the 5th/6th centuries in Anglo-Saxon England at https://juliaibbotsonauthor.com/2021/06/21/living-with-the-anglo-saxons/

It starts: We can see that throughout history and different cultures, society organises itself into groups and subgroups, usually based on religion or economic standing. In early Anglo-Saxon Britain there were social classes, in some ways similar to our modern understanding of hierarchies, in that there were ‘higher’ and ‘lower’ social classes, but in some ways they were very different from ours today. Anglo-Saxon and Celtic-British settlements were becoming increasingly expansive as the external threats grew. It made sense to band together for security and ‘manpower’. Settlements were headed by the chieftain, or ‘cūning’, from which we derive the word ‘king’. Even where the settlement was headed by a queen (rare!) she was still referred to as the ‘cūning’ in Anglo-Saxon. The word ‘cwene’ (queen) was usually only used for the wife of a king. The heir to the chieftaincy was the ‘ætheling’. Then there were the ‘ealdormen’ (elders) and the ‘thegns’, who were the nobles who were entitled to fight for the king at the head of troops and lead warriors into battle, and thus highly regarded. They often had their own family crests and banners which they fought under … [Read the rest at https://juliaibbotsonauthor.com/2021/06/21/living-with-the-anglo-saxons/ ] and follow the series ‘Living with the Anglo-Saxons’ sessions 2 -7 on food, houses, diet, etc.

Take care! With kind regards, from Julia x

Living with the Anglo-Saxons (4)

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What would an Anglo-Saxon village look like?

West Stow Anglos Saxon Village in Suffolk, East Anglia in England is a fascinating recreation of an Anglo Saxon Village.

The Anglo-Saxon village or settlement consisted of wooden thatched huts, ceorls’ houses, and larger timber halls for the thegns, usually single storey and all grouped around a central mead hall and large chieftain’s hall. In many cases, these could be combined into one large ‘long hall’. The mead hall served as the venue for feasting with huge celebratory banquets, although generally restricted to the wealthy thegns and ealdormen, and as a place for meetings, sometimes referred to as ‘moot halls’ , the moot being the council meeting or gathering where the higher rungs of society met to discuss the settlement’s important matters of defence, judgement and punishment, tythes or food provisions. A large mead hall might contain rooms for the family of the chieftain (or cūning). As the period progressed halls became bigger and more splendidly furbished to signal the chieftain’s power and status. Recent archaeological work has uncovered huge halls for such purposes.

Even the early Anglo-Saxon villages would be fortified against raiders and would have a band of warriors ready to fight for their society’s protection and security. There would be stables for horses, granaries for storing precious grain, and along the dirt roads would be clusters of tradesmen’s workshops often with wooden shelves or counters outside, displaying their wares: the wood-worker, the metal-worker, the communal bakery, the baker, the weaver, the pottery kiln, and so on. When coinage was scarce, trade was often through exchange or barter of goods or services.

Thatched single-room huts of wattle and daub or wood comprised much of the settlement and these were often flanked by small plots allowed for vegetable growing for the family’s own use (the precursor of our gardens) and middens for human sewage – which proved invaluable for manure to fertilise the vegetable plot!

Gradually the Anglo-Saxons moved away from their pagan heritage and by the 6th century were embracing Christianity, partly through missionaries from Rome or Celtic lands, and simple timber churches could be found in settlements, often adopting pagan sites such as burial mounds, sacred wells or standing stones as their locations.

By the later period, the 9th  to the 10th centuries, we might expect to see the wide development of village churches, still often timber built which didn’t survive the ages, but which later developed in size, architecture, building materials and adornments as the period continued. Many village churches of today bear evidence of their Saxon and Celtic origins, perhaps where they were built in stone (rare) or reveal a Saxon cross in the churchyard.

NEXT TIME: Anglo-Saxon diet and health …

For more about Anglo-Saxon life, my Anglo-Saxon/present day time-slip with mystery and a touch of romance can be found at:

http://myBook.to/ASOTA

Living with the Anglo-Saxons (2)

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What did the early Anglo Saxons wear?

Certainly not animal skins wrapped around their torsos, the popular image of ancient Britons, nor togas left over from the Roman occupation of Britain! From the 5th to the 7th century clothing was perhaps surprisingly well refined and often richly dyed and decorated, especially for the higher classes of society. Of course, it depended on your social class, and the lower classes wore simpler garb of rougher cloth (working class serfs, peasants and even geburs who kept small parcels of land, and ceorls who were freedmen). But even so, the garb was not unlike our clothes today. For the higher ceorls and the thegns and their ladies, clothes were highly decorated and accessorised by brooches of gold and jewels.

Upper class ladies often wore several layers, as heating even in the richest houses was rudimentary: a chemise or shift in linen or wool, then on top of this,  a long sleeved full-length under-dress, or kirtle, again of linen or wool or maybe a soft cotton fabric from lime tree fibres. On top was an over-gown dyed with more expensive dyes such as deep reds, purples and blues and lavishly trimmed with braid or fur. It would be fixed around the waist with a leather belt from which hung a pouch for keys and other valuables, a cross between a modern-day pocket and a purse or bag. On top would be an embroidered mantle or cloak fixed with a gold brooch at the shoulder, often jewelled or metalworked. Later in the period, kirtles would be fashioned with gores lined with silk or brocade to match the over-gown or trim.

Photo by Pexels User on Pexels.com

Ladies’ hair would be twisted and bound or braided. Unmarried girls wore their hair more loosely. Headwear for ladies was a head rail often decorated with silver-work or jewels which fixed the veil beneath. Later, ladies tended to wear a type of wimple and veil reminiscent of nuns or a coif or crespine.

What of the men? As you might expect, theirs were simpler than the ladies. Men of lower class would wear simple tunics, often rough-spun with hose beneath, with higher class thegns and above sporting woollen or linen undergarments and woollen hose beneath their tunics topped with heavy fur-lined cloaks, fixed with gold brooches. Heavy leather belts held daggers and knives not just for fighting but for cutting food in the mead hall feasts.

Photo by Maria Pop on Pexels.com

For more about Anglo-Saxon life, why not read my novel, A Shape on th Air, a time-slip from the present day to 499 AD

http://myBook.to/ASOTA

Living with the Anglo-Saxons (1)

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Were there different social classes in the early Anglo Saxon period?

Photo by icon0.com on Pexels.com

We can see that throughout history and different cultures, society organises itself into groups and subgroups, usually based on religion or economic standing. In early Anglo-Saxon Britain there were social classes, in some ways similar to our modern understanding of hierarchies, in that there were ‘higher’ and ‘lower’ social classes, but in some ways they were very different from ours today. Anglo-Saxon and Celtic-British settlements were becoming increasingly expansive as the external threats grew. It made sense to band together for security and ‘manpower’. Settlements were headed by the chieftain, or ‘cūning’, from which we derive the word ‘king’. Even where the settlement was headed by a queen (rare!) she was still referred to as the ‘cūning’ in Anglo-Saxon. The word ‘cwene’ (queen) was usually only used for the wife of a king. The heir to the chieftaincy was the ‘ætheling’. Then there were the ‘ealdormen’ (elders) and the ‘thegns’, who were the nobles who were entitled to fight for the king at the head of troops and lead warriors into battle, and thus highly regarded. They often had their own family crests and banners which they fought under.

In early to mid-Anglo-Saxon times, society was strictly hierarchical. The view of society was that people were either freemen (the thegns and ealdormen, owning their own land and goods, often very wealthy, especially if in favour with the king/ cūning) or freed-men (ceorls, granted their freedom but of a low social class), or grant-bearers (the geburs, allowed to work their own small parcel of rented land but still bound to the king) or peasants/servants (villeins bound with no land). At the lowest level of this hierarchical society were the serfs and slaves. It was the chieftain/cūning who personally determined the level of freedom anyone was allotted. In the more enlightened communities social climbing could be allowed, if you kept in the cūning’s good books! Otherwise you were trapped for life: there was no social aspiration through education, for example, or business, and rarely through marriage as alliances amongst the higher levels of society remained politically expedient, not for love – and certainly not for the love of someone in a different class!

http://mybook.to/ASOTA

An author’s life (part 4) : country baking through the seasons – oh, and writing of course!

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Photo by Marta Dzedyshko on Pexels.com

If you’ve been following my seasonal series on using my lunch break from my laptop to bake something delicious and comforting, you’ll know that my summer bake is often my Chocolate Fudge Cake, so easy to make and so moreish the cake won’t last long! I don’t know why I feel that summer deserves chocolate (melting properties!), except that any season is the season for chocolate, isn’t it?

Chocolate Fudge Cake

So delicious and scrumptious with coffee or with tea. It’s rich, moist, and fudge-y with a gorgeous chocolate ganache. You can even have it as a pudding with fresh cream poured over a slice.

You’ll need:

200 g. (8 oz.) butter, cubed

200 g. (8 oz.) light muscovado sugar

125 g. (4.5 oz.) self-raising flour

125 g. (4.5 oz.) plain flour

3 large eggs

200 g. (8 oz.) good-quality dark chocolate, chopped (min 70% cocoa solids)

25 g. (1 oz.) cocoa powder

100ml (3.5 fl. oz.) water

75ml (3 fl. oz.) crème fraiche

For the buttercream filling:

50 g. (2 oz.) good quality dark chocolate

100 g. (4 oz.) butter, softened

200 g. (8 oz.) icing sugar

1 tsp. vanilla extract

A little milk

For the chocolate ganache:

150 ml. (5 fl. oz.) double cream

1 tsp. vanilla extract

1 tsp. butter

150 g. (6 oz.) dark chocolate

Chocolate shavings to decorate if desired

Preheat the oven to 170ºC, 335ºF/gas mark 3. Grease and line with baking parchment/greaseproof paper, two 20-m. (8-in.) deep sandwich tins. Melt chocolate, butter, and water in a pan over low heat until smooth. Set aside to cool. Sift flours and cocoa powder into a bowl and stir in the sugars. Beat the eggs and crème fraiche together until smooth, then beat in the chocolate mixture. Fold in the flour mixture. Divide the mixture between the two cake tins and gently level the tops. Bake in the oven for about 35–-40 minutes. Cool and then turn out onto a cooling rack.

To make the buttercream: Melt the chocolate in a bowl over a pan of simmering water. Meanwhile, beat the butter, icing sugar and vanilla in a bowl until smooth. Add the chocolate and fold until smooth. Add a little milk if the icing is too thick. Spread onto one cake and sandwich both together.

To make the ganache: gently heat the cream, vanilla butter and chocolate in a pan. Remove from the heat and beat until smooth. Smooth the ganache on the top of the cake. Circle the top with a fork, or pipe swirls of frosting along the edge and decorate with chocolate shavings.

This recipe and more can be found in my book: The Old Rectory: Escape to a Country Kitchen at http://myBook.to/TheOldRectory

My writing ritual: stopping for an interview on my book blog tour

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One of the stops on my recent book blog tour was at  Bforbookreview.wordpress.com

and it was an interview. Here is a transcript:

– When and where do you prefer to write?

Two main places: I do actually have my own study (husband banned, except for kindly plying me with coffee!) and I work at my antique desk with all my research books and papers handily in the big bookshelf next to me.  For A Shape on the Air, as with all my books, I have a ‘mood board’ on the wall beside me, with pics of inspirations for the main characters (it’s Rachel Weiss and James Norton) and pics that represent Dr Viv’s apartment, the mere and Anglo-Saxon life and times. I also like to write in the conservatory so that I can look out at the garden which gives me peace and inspiration. I write most weekdays as I resigned from the university in order to write fulltime and I try to write a session in the mornings and again in the afternoons, so I keep to ‘office times’ as far as  poss. It doesn’t always work out, though, because if it’s a nice day I want to be outside, walking in the countryside  or gardening!

– Do you have a certain ritual?

My main ritual really is that I go swimming first thing in the mornings (I do 20-30 lengths) and usually have a session in the gym while I’m there. Then when I get back home at about 9.30 I can feel ‘noble’ after my exercise and set my mind to my work. I ALWAYS take my first coffee of the day with me to the study. I check my emails first in case there’s anything I need to address, but I try to avoid social media until I’ve met my target for the day.

– Is there a drink or some food that keeps you company while you write?

I’m afraid that I drink far too much fresh coffee while I’m working; I have a coffee pot constantly on the go. But I compensate with camomile tea at other times! I don’t eat while I’m on my computer but I do stop for breaks and usually have fresh fruit – or if I’ve been baking I grab a ginger flapjack or almond macaroon or whatever!

– What is your favourite book?

It changes, because I’m an avid reader and the latest one is usually my current favourite. But some stand the test of time in my heart: I love anything by Kate Atkinson and Pamela Hartshorne. I love historicals and time-slips (because this is my ‘brand’ too)!

– Would you consider writing a different genre in the future?

I have written in several genres already (contemporary and historical romance, children’s, etc) but at present I see my ‘brand’ as medieval time-slip mystery romance, which is what A Shape on the Air is – and also my WIP (working title The Dragon Tree)which is a sequel.

– Do you sometimes base your characters on people you know?

I guess most writers base characters on people they know in some way (we’re terrible people-watchers) but mine are generally amalgamations of different people. I pick characteristics and merge them into my characters, so they are, hopefully, unique.  Possibly some of the characters in the Drumbeats Trilogy were nearer to known people than usual. But characters in A Shape in the Air mix up various friends of mine (don’t tell them!).

– Do you take a notebook everywhere in order to write down ideas that pop up?

I have a glorious collection of beautiful notebooks (constantly added to!) and I do usually have one in my bag, along with some of my collection of gorgeous pens. The only thing is that I tend to get ideas at awkward moments when I can’t pull the notebook out to write them down! I desperately try to keep the ideas in my head until I can scribble them down.

– Which genre do you not like at all?

I like most genres. I love crime, police procedurals and psychological thrillers, but I couldn’t ever write them (I don’t feel qualified enough). I don’t like anything gory or OTT blood-thirsty and I’m not keen on erotica or inflicted pain. I hated Fifty Shades!

– If you had the chance to co-write a book. Whom would it be with?

Barbara Erskine or Susanna Kearsley, because we’re on the same wave-length I think:  medieval -ish time-slip Or maybe my friend Lizzie Lamb: although we write entirely different sorts of books, she’s excellent at marketing and promotion, so I’d feed off her!

– If you should travel to a foreign country to do research, which one would you chose and why?

Strangely enough, I’ve just been doing research in Madeira.  My latest WIP is set there and involves its medieval history, 14th and 16th centuries. It’s a time-slip again so there’s present day Madeira to imbibe too. It’s provisionally called The Dragon Tree and it has the same main protagonists as A Shape on the Air: Dr Viv and Rev Rory, because I liked them so much I couldn’t let them go! My next will be the third in the series but they will be back in England at the Derbyshire rectory and my other favourite character (Tilly) will be back.

A Shape on the Air is available from Amazon at

http://myBook.to/ASOTA

 

Which books make me cry? And 10 fun facts about me – hmm!

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My book tour continues! Today I’m interviewed by Jasmine at http://bookreviewsbyjasmine.blogspot.com

She asks me about the books that made me cry and if you scroll down there are also ten fun facts about me that you never knew!

  1. What is the first book that made you cry?

Little Women (Louisa May Alcott) because I was mad with Jo and I thought that the gorgeous male protagonist married the wrong person (trying not to give spoilers). I was very young! Then One Day (David Nicholls) and latterly A Single Thread (Tracy Chevalier). I cry very easily, at just about everything! I even cry at my own books; A Shape on the Air, for example – what happened with Dr Viv’s partner, her mother, betrayal, Lady Vivianne’s betrothal, the mystery they had to solve … I’m almost in tears now!

  1. How long, on average, does it take you to write a book?

I usually reckon 6 months for research and 6 months to write the book. Even if I know the historical research base well (as with early medieval/Anglo-Saxon England which was my original research field), I have to research specifics for that particular book. For A Shape on the Air I had to research minute details of daily life in 499 AD. The same with my Drumbeats Trilogy, which begins in Ghana, West Africa in the 1960s, even though I had lived there I had to research the locations and what was happening at that time (music, books, politics, current events, etc). I love reading about how people lived in a different historical period so it’s a joy to do the research. My problem is where to stop!

  1. How do you select the names of your characters?

Oddly the names often arrive in my head before the complete plot. I tend to have a character and inciting incident/initial situation/conflict before I start. I always have a ‘mood board’ for each novel WIP on my pinboard beside my desk and when I have a picture of my character on it, the name follows pretty quickly. Maybe because when I sit in a restaurant/bus/train and do my naughty ‘people watching’ I give them names as well as jobs and situations. For A Shape on the Air, I chose a picture of Rachel Weiss and thought of Dr Viv, and James Norton and thought of Rev Rory. Don’t ask me why! But it’s also true that I had to find similar names that fitted both time periods: Dr Viv in the present and Lady Vivianne in 499 AD, Rev Rory/Sir Roland, Tilly/Tilda, and so on. I decided not to use completely authentic  names for 499 AD as the characters were from different ‘tribes’ or ethnicities (Roman, Celtic, Briton, Saxon etc) and some would not be so easy to read for the modern reader. For myself, I always found it hard to read names I have to really concentrate on to remember.

  1. What creature do you consider your “spirit animal” to be?

I’d like it to be a wise owl or an elegant horse or gazelle, but it’s probably a cat (curled up by the fire and looking piercingly at what’s going on around).

  1. What fictional character would you want to be friends with in real life?

Cormoran Strike (Robert Galbraith aka JK Rowling). I think he’s fascinating, hard but a softy at heart. He’s had such interesting experiences and I think he’d be full of anecdotes. I feel he’d keep me laughing as well.

  1. Do you have any advice for aspiring writers?

Don’t give up; keep at it and believe in yourself. Read through your finished draft as though you are the reader, not the writer; if it doesn’t capture your attention throughout, then it won’t for anyone else. Make a great opening that grabs the reader’s attention and a great ending that makes them rave about your book. Create memorable characters and get to know them inside out: make a profile of them, what do they look like (very important), what are their little foibles, what are their likes/dislikes, what’s their history? And for heavens’ sake, do your research!

  1. What book do you wish you had written?

Kate Atkinson’s Time After Time.  Brilliant. What an intriguing concept: what if there were different ‘realities’  and history could repeat itself, but change for the better (hopefully). It’s a bit like a time-slip, I guess, but one that actually alters history – something we normally try not to do in time-slips – for the benefit of mankind.

  1. Tell us 10 fun facts about yourself! 🙂
  • I love rhubarb and ginger gin and hate beer
  • I like rugby (watching!) and hate football
  • I love walking in the countryside and hate running (mainly because I have a spinal injury)
  • I love baking for family and friends: my current specialisms are ginger flapjacks (there seems to be a ginger theme going on here!) and almond macaroons, granary bread, and cauliflower & blue stilton cheese soup
  • I love crime novels, police procedurals and psychological thrillers, but I could never write them
  • I like gardening and growing my own vegetables and fruit
  • I’m really into healthy eating – all things fresh and homemade, not shop-bought, plastic wrapped and transport-miles
  • I actually have a PhD! In socio-linguistics, how men and women talk to each other. The research was fascinating!
  • I’m a qualified yoga teacher
  • I love clothes but hate shopping and changing rooms

And there we have it! That’s it for today. Let’s see what tomorrow has in store …

Need help with manuscript editing? Or need a writing mentor?

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Have you ever thought: I wish there was someone I could ask about this part of my narrative, or my research report? Does it work for the reader? Does it make sense? Is it accurate – or are there errors?

Online 1:1 editing support

I have a new business venture coming onstream: Archbury Consultancy.

So many people have been telling me recently that they need help and support with their novel or short story manuscript. Or maybe with a piece of academic writing, a paper or article, or a draft of  a dissertation or thesis. It’s not entirely the content, it’s the getting your ideas down on paper more effectively. Sometimes we think we’ve written what’s in our head … but unfortunately it’s not really appearing on the page as we intended!

Even when we proof read and edit ourselves, it’s easy to miss spelling errors or punctuation problems, expressions that don’t come across well to the reader, even though they may be perfectly clear to us in our head.

At the moment I have a special introductory offer for my services through Archbury Consultancy so don’t miss out, find out more…

 

 

Apologies and news!

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PhotoFunia-1444664744

Firstly my apologies that I haven’t posted for so long! We have finally moved house (what an exhausting procedure) having had our previous house on the market for over 2.5 years! And a serious health scare did not help! Nor did the nearly 2 months we were without broadband (thanks, BT!). However, here we are now in our new home and settling in well in the village, with friends old and new.

Other great news: I have an offer of a publishing contract for my new novel A Shape on the Air! The contract is sitting on my desk as I speak, waiting for me to sign. Very exciting. Not only that, but another publisher has told me that they will contact me by Monday! So I have to sit it out until Monday to see what will happen. Wonderful that I have a publisher anyway, whatever happens – so celebrations all round!

There will be more about A Shape on the Air shortly …

And a final apology to anyone who has tried to send me a message via my Contact Me page on this website – there is a problem and emails have not been getting through to me I’m afraid and currently it seems to be being passed backwards and forwards between BT.com and WordPress! Let’s hope they sort it out soon, hey? !