Digging into Anglo-Saxon life

Photo by Kelly Lacy on Pexels.com

I’ve been looking at Anglo-Saxon life in my series of blogs: Living with the Anglo-Saxons, covering social structures, houses, settlements, clothes, food and drink, feasting, health and medicine of the period, and the status of women. There is not a huge amount of hard evidence from archaeology or documents to reveal a great deal about the times. As a writer, I need to use my powers of assumption and imagination from what little we have.

But knowledge is increasing as the Anglo-Saxon period becomes more popular as a research area.

And in January 2021, there came news of a report of an archaeological dig in Overstone, Northamptonshire (further reported in in Current Archaeology 2.3.21, issue 373). The site was being excavated from 2019 by MOLA (Museum of London Archaeology) for a national house builder on the proposed site of a housing estate development. An Anglo-Saxon cemetery and settlement was beginning to be unearthed, revealing information about not only defence but everyday domestic life in an Anglo-Saxon settlement. Very rarely has a cemetery and settlement been unearthed at the same site in the same single excavation. The current tally of findings is:

154 burials (many grave goods reflecting status)

42 structures spread over the site (sunken-feature buildings and post-built structures)

at least 3,000 artefacts, including:

150 brooches

75 wrist clasps

15 chatelaines (decorative belt clasps)

2000 beads

25 spears

40 knives

15 shields

Various domestic artefacts such as ‘cosmetic kits’ including beautifully carved bone combs

Fragments of Anglo-Saxons textiles, which are very rarely preserved: these were buried next to metal objects causing them to become mineralised.

The human remains will tell us much about the Anglo-Saxon diet and health as well as their origins (very exciting in terms of information about migration!) and the artefacts will show us more about everyday life of the times.

I’m looking forward to further analysis of the finds and new learning on this fascinating historical period … The Anglo-Saxons!

Incidentally, evidence of Bronze Age burials in three round barrows were also found at the site, radiocarbon dated back as far as 2000BC.

Take a look at my Anglo-Saxon time-slip with mystery and romance at http://myBook.to/ASOTA

For more about, not just battles, fighting and kings, but about ordinary Anglo-Saxon life.

Living with the Anglo -Saxons (7)

Anglo Saxon women: peace-weavers or shield-maidens?

I was interested to catch up with Kathleen Herbert’s excellent little book “Peace-Weavers and Shield Maidens” (2013, first published in 1997) on the image of women in early English society. She begins by commenting that people often tend to think of ‘English life’ as dating from 1066 whereas the first account of the ‘English’ (the ‘Anglii’, a Germanic race) was in Cornelius Tacitus’s ‘Germania’ in 98 AD and they worshipped a goddess, Nerthus (among other gods). As an aside, I’m not so sure about the 1066 bit – I would have said that people do tend to think of the Anglo Saxons from the 5th/6th centuries as the original ‘English’, despite the fact that before those migrants hit our shores the population comprised mainly Britons and Celts.

However, the stories and legends focusing on women, Herbert suggests, tend to fall into two archetypes: we might call them peace-weavers and shield-maidens. Herbert argues that women did fight and lead troops in early history, but were also literally and metaphorically peace-weavers, often through expedient marriages to form alliances with other kingdoms to avert potential strife. This seems to have been a widespread tactic to retain peace. Women might also be shield-maidens, literally or metaphorically as strategists in times of conflict. The two terms might well be interlinked and overlapping.

This is not to say that there weren’t violent battles for supremacy of a geographical region, that new kingdoms were not formed through victory in war. Of course, we have evidence of many battles leading to changes in power across different regions. But we also have evidence of deals and negotiation to co-exist.

Britain was composed of many small kingdoms, and kingdoms fought to take over other kingdoms and thus wield greater power over a larger region. But our theories of this time of great change are beginning to recognise the way that stable everyday life and the quest for peace were also significant. Hence, in my Dr DuLac Anglo-Saxon time-slip series (#1 A Shape on the Air and especially its #3 sequel, The Rune Stone, coming out soon), I have Lady Vivianne (early 6th century ‘cūning’ or king/queen) as “peace-weaver”, although her husband is a fighting warrior. Her elevation to respected status over other kingdoms, and especially that of the Icelings in The Rune Stone, is to all intents and purposes that of honorary “warrior”, a status almost always used for men who were normally the fighters, but this is as a result not only of her strategising but also of her peace-making abilities.

Yes, the term “peace-weaver” was often used for women who brought peace between two kingdoms through marriage, but it was also used for women who were more active on their own account in the forging of peace between kingdoms, as Lady Vivianne is depicted as undertaking in my series. These female leaders could be strategists, not necessarily fighters joining battle; they could be mainly working for the defence of their kingdom: active peace-makers. These were leaders whose warrior status was conferred not by fighting but by directing. Annie Whitehead (in Women of Power, 2020) refers to a saying about Ǣthelflaed, the10th century Lady of the Mercians and daughter of King Alfred, who strategized battles to take Derby, Leicester, York, that she was a “man in valour, a woman in name”. So, to all intents and purposes we can take Lady Vivianne as one who, like Ǣthelflaed, is a brave and courageous ruler; she is a true “cūning” and “peace-weaver”.

Read about Lady Vivianne and her present day counterpart Dr Viv DuLac in A Shape on the Air at http://myBook.to/ASOTA

Who were the early Anglo- Saxons?

early Celtic/Anglo-Saxon cross in a Midlands country churchyard, England

The Roman occupation of Britain during the early fifth century AD began to disperse when Honorius requested the return to Rome of the legions and administrators. The remaining Romans who had intermarried with Britons and Celts, along with the ‘native’ ethnic groups with existing settlements across the countryside of England, strengthened their fortifications against marauders from north of the border. It seems that they had already established organised groups or small ‘kingdoms’ (I won’t call them ‘tribes’ which seems to me to connote primitivism) which were then strengthened and extended, possibly with settlements joining into larger groupings.

These ‘pre-Anglo Saxon’ kingdoms developed gradually as Angle, Saxon and Jutish migrants from northern parts of Europe headed increasingly for Britain, perhaps for land, crops, climate. From around 450 AD, the Anglo-Saxon-Jute communities began to grow, bringing with them their heritage and culture.  

We have long perceived this time as mysterious, dangerous, even barbaric, as ‘invaders’ fought brutally to gain land from the indigenous peoples. The idea, long held, was that as the glory of Rome had gone from our island with the withdrawal of the legions, the British had no defence against the invaders, and that eventually the indigenous ‘tribes’ were overcome and suppressed by the brutal Anglo Saxons. One version has it that the threats to Celtic-British communities or small ‘kingdoms’ led Vortigern, High King of the southern Britons, to call upon Angles, Saxons and Jutes from overseas to help quash the Picts and Scots who threatened his land.

The threat from the north appears to be real but the actions of Vortigern, and indeed his very existence, is disputed. Brutish Anglo Saxon invaders, or migrants who, by and large, integrated relatively peacefully into Celtic-British society? What’s your view?

By the way, the photograph at the top of this post is the original inspiration for the third in the Dr DuLac series, The Rune Stone. It’s called locally, the Saxon cross, but it bears evidence of earlier Celtic influences and suggestions of a very early Celtic/Anglo-Saxon settlement can be detected in the village.

http://myBook.to/ASOTA

http://myBook.to/TDT

http://myBook.to/TRS

Deja Vu

Have you ever experienced “déjà vu”?

Have you ever experienced that feeling of ‘déjà vu’? You know, when you suddenly feel a shudder that says ‘I’ve been here before’ or ‘that’s happened to me before’. I’ve had it many times and I’ve thought – “really?” How come we sometimes enter an old house and look around and feel that it still bears the imprints of past inhabitants? I’m not talking about ‘ghosts’ or anything specific or physical, but what I have called in my novel ‘shapes on the air’.

The idea for A Shape on the Air had been brewing in my mind for a long time. I had been reading about, and mulling over,  the notion of time-slip and especially the concept of ‘worm-holes’ and the Einstein-Bridge theory of portals into other dimensions of time and space, in effect quantum mechanics. I know it sounds fanciful and Dr Who-ish, and oddly I’m not a great fan of fantasy, but I felt that this was in fact a more ‘logical’ (in some ways!) and scientific explanation of those everyday glimmers of ‘déjà vu’ and perceptions of the past that many of us experience. Those intimations that maybe the spirits of history are embedded in the fabric of old houses and ancient geology. So, what if we could take it further and, somehow, actually slip into the world of the past, another world but one to which we might have a personal connection, through our own family links perhaps, which still reverberate through us; some kind of glimpse of those shapes on the air.

Could, perhaps, our ancestors somehow reach out across time to ‘touch’ us in this world, not physically but spiritually or emotionally? Watching programmes like ‘Who do you think you are’ where the subjects research their ancestral history, I feel that there is a lot more in their discoveries than merely drawing up a family tree and timeline. They often find a rather eerie connection with their family members, in terms of character, situation, talents, life-views and professions. Of course, many of us, myself included, have looked into our family histories and see nothing at all in common with our ancestors, indeed sometimes they seem totally remote! But I’m aware that those connections and links across time can be there and that’s what I wanted to explore in my book. What if a perfectly rational, normal person could somehow touch another time? What would happen then? And what could go wrong?

The theory of worm-holes and portals through which we could slip across the time-space continuum into other historic periods and places is really only that – a theory. It’s unproven – how could it be otherwise? But it does raise some wonderfully intriguing ideas. Such a gift for a creative writer. And since it is presented by great scientific minds such as Einstein’s, it lends itself to some serious thought.

As the Reverend Rory says in A Shape on the Air, “Just think of the universe. Black holes. Even birth and death. What are they? How come you can suddenly become a thinking person, at birth, and nothing at death.”  At first Dr Viv thinks she may be suffering some kind of temporary insanity after her traumatic experience with her partner Pete and his betrayal of her. She thinks maybe that has triggered the feelings of crossing the time dimension and merging with Lady Vivianne, but as the story progresses it seems that there is more to it than that …

Find out at  http://myBook.to/ASOTA

 

Early history: the ‘dark ages’; time slipping; the time-space continuum – Getting it right

The second day of my book tour and I’ve just stopped at the lovely spot: Books, Life and Everything (I love that name!), for a guest post.

https://bookslifeandeverything.blogspot.com/2020/02/a-shape-on-air-by-julia-ibbotson.html?m=1#more

So, this is what I said …

Researching for a time-slip novel

Anybody else, like me, love the historical novels of Philippa Gregory? History, intrigue, mystery, romance, drama, tragedy – it’s all there. I’ve learned much of my knowledge of the Tudor period from her work. Even though I know they’re novels and not non-fiction academic texts, I still trust that they are reasonably accurate albeit a fictionalised ‘take’ on characters of history. I do know that she has done her research, even though you may disagree with some of her interpretations!

All the authors I know do a lot of research before and during writing their novel, but it’s especially vital if you are writing about a historical period, or a location or a concept, because you have to get it right! There are, believe me, many readers waiting to jump on the slightest inaccuracy – and that’s understandable, and quite right. Readers want to see the novel, even if it’s a fictionalised account of the time or place, as an authority. When I read such a novel I want to feel I’m learning something correct and authentic, not something wrong.

For A Shape on the Air, I had a plot involving Dr Viv DuLac slipping back in time to 499 AD to solve a mystery, so I needed to update my research on the early medieval period and also to research concepts of time. Both of these are areas I love to read about, so it was no hardship. I’d studied medieval language, literature and history at university for my first degree and was fascinated by the Dark Ages (after the Roman rule ended and the early Anglo-Saxon settlements began). There wasn’t (and still isn’t) very much researched and written about the Dark Ages, which is where it got its name, not because it was violent and barbaric (which is what many people think) but because of the lack (darkness) of evidence in archaeology and documents. In some ways I had to use my deductive powers to assess what might have been retained from the earlier Roman period and what might be developing forward into the Anglo-Saxon period. More recently evidence is now appearing, such as from the ‘dig’ at Lyminge in Kent, England, where a fifth century feasting hall had been unearthed not long before I wrote my book. And there is a growing body of archaeological, geophysical and isotopic evidence to indicate how the people of the 5th and 6th centuries lived. But I had to keep up to date with new discoveries, all the time, keeping revisiting published research documents. So there was a fair amount of both evidence and informed imagination at work as I wrote A Shape on the Air.

My research into time-slip was also fascinating. I looked again at the scientific theories of quantum mechanics, which sounds a bit like something from Dr Who, the Einstein-Rosen Bridge, and worm-holes, all basically ideas about space-time portals through which you could slip from one layer of the universe into another, or from one historic period into another. Fascinating, especially for all those who like fantasy and the paranormal, and yet these are real scientific theories of the concept of time, albeit unlikely to be tested by experiment! Strangely enough, I seem to be hearing those theories quoted so much more these days in the media. So maybe something out there is catching on!

Time-slip sounds insane, and of course Viv (in the present day) wonders if she’s going mad when she thinks she’s had a dream but brings back a real golden key from 499 AD! And her ‘dream’ is so real she begins to wonder if she’s taken on the identity of Lady Vivianne, her counterpart in the Dark Ages. How do they fit together? Why are their lives becoming intertwined? Why do they need to reach out to each other across the centuries? Well, I’m afraid that you’ll need to read it and see …!

http://myBook.to/ASOTA

Book Tours and a plot ‘spoilers’ challenge

The brand new Drumbeats Trilogy Omnibus edition is just out in ebook from my publisher Endeavour, and it’s available on Amazon right now – all three novels together in one place for only £5.99. The trilogy overall is a saga about love, betrayal and second chances – and one woman’s search for the strength to rise above adversity.

http://mybook.to/DrumbeatsOmnibus

It’s the story of Jess and we first meet her in Drumbeats as an 18 year old in 1965 on a gap year in Ghana (West Africa) where she’s teaching and nursing in the bush. She goes with a naive mission to make a difference in the world, but faces tragedy, civil war, and a new romance – with the echoes of the village drumbeats warning her of something … but what?

The next, Walking in the Rain, follows Jess back to England, and marriage, motherhood, and disaster … and the drumbeats continue to pervade her dreams.

The final book, Finding Jess, published singly just last August, sees Jess coping with betrayals, family problems and desperately trying to juggle a job at the same time … and finally returning to Ghana to try to ‘find herself’ again as an individual. Will she succeed? And what are the drumbeats trying to tell her throughout it all?

Some of the wonderful reviews I’ve already received: “scenes of raw emotion”, “an emotional roller-coaster”, “a heart-warming read, wonderfully written, compelling, warm and uplifting”“feel the searing heat of Ghana burning right off the pages”, “a powerful story”, “so evocative, it transported me to a different time, different place; I couldn’t put it down”.

There’s a major launch of the omnibus edition and a book blog tour with Rachel’s Random Resources from January 26 to February 8. The tour’s full and all ‘sold out’ for 42 stops. So, I’m busy preparing content for the tour: guest posts, Q&As, selecting extracts …

How do you select extracts from all three books without giving away ‘spoilers’ for the plots? Goodness, it’s difficult! I’ve worked on several attempts. One host wants an extract from just one of the books, OK, but I have to select very carefully as it’s the second book in the series. Two of the hosts want extracts from all three and a few words about the context of each one. Fair enough, but what a challenge. All three hosts need a selection of different extracts, because I guess many blog readers will be following the whole tour and obviously don’t want to be reading the same stuff over and over! I wouldn’t! Should I take a different ‘theme’ for each, maybe? But even so, how do I do it, especially the context statements, without giving away too much of what happens to Jess through three whole novels and 30 years?! Well, I’ve given you enough above! Yikes.

Any advice, gratefully received! In the meantime, I’ll be ensconced in my study for the duration.

Get those brain cells working overtime, Julia. I WILL get there … eventually! In the meantime, I’ll pop up the official book tour banner from my tour organiser shortly. Six guest posts and Q&As drafted … nearly there …