The writing process: a ‘dark ages’ time-slip novel

Where did you get the inspiration for the book/series?

To be honest, my ideas come into my mind pretty much unbidden. I’m constantly curious about people, relationships, history, things around me, and I read and research a great deal, but of course it takes a lot of imagination to develop the ideas into a viable story. In the first of the Dr DuLac series, A Shape on the Air, I wanted Dr Viv to have a troubled relationship, to have a traumatic experience that would lead to a time-slip and a deep connection to another woman in the distant past. The idea for A Shape on the Air came from my interest in early medieval history which was my first research field, the post-Roman, early Anglo Saxon era, commonly called the Dark Ages. I’d been reading recent research, mainly archaeological stuff, that supported my view that it wasn’t so ‘dark’ in the sense of barbaric fighting, invasions, and brutality, but that it was actually marked by richness and diversity. I am also very interested in the concept of time and I’d wanted to write a time-slip for ages – but then you have to think, how could it actually happen to normal people in their everyday lives?

Do you write using pen and paper or on a computer?

I write on my computer so that I can easily edit as I go, but my research notes and planning notes and graphs are usually the old pen and paper, and post-its everywhere. I have a pinboard beside my desk and I fill it for the novel I’m currently writing, with pictures from the history I’m writing about and inspiration for characters. For example my inspiration for Dr Viv is a pic of Rachel Weiss (looking elegant and thoughtful) and Rev Rory is James Norton in the role of Rev Sidney Chambers (gorgeous!). And there are lots of pics of early medieval banqueting halls (mead halls), Anglo Saxon warriors and ladies, a dark ancient mere, and the prototype of Viv’s apartment which is actually somewhere I once lived just outside  Oxford.

Who is your favourite character out of your stories and why?

My favourite character is always the one I’m writing at the moment! In A Shape on the Air, I loved Dr Viv/Lady Vivianne (traumatised by Pete’s betrayal/Sir Pelleas’s brutality) and Rev Rory/Sir Roland (a hunk but also sensitive and caring), but I was especially fond of Tilly/Tilda who is very sweet and such fun I really enjoyed writing her.

If you were a character in your story, which would you like to be?

I think it would have to be Lady Vivianne because I guess 499 AD would have been an exciting time to live in, caught between the Roman world and before the Anglo Saxon era was properly established. It was a time of change and uncertainty but also an opportunity for making your mark. Women were respected as part of the leadership of communities and Lady Vivianne holds her own in difficult circumstances. And I think she’s a good person with the interests of her community at heart. Although she was brought up as the daughter of the king/chieftain, she is not arrogant or entitled; she wants a more equal world.

How and why did you choose the names for your main characters?

I started with Lady Vivianne. The names Vivianne, Nimue, Nivian etc are the names associated with the Lady of the Lake in Arthurian legend (which is important in the story) and I had to choose a name that could translate to a modern equivalent, hence Dr Viv. Likewise Sir Roland which was a common name in English and French medieval legend, and then Rory came from that. It was the same for all the other characters in the two time periods. I deliberately didn’t choose totally authentic pre-Anglo Saxon/Britonic names because that wouldn’t have worked with the dual times and additionally, they would have been more difficult to read! It was a conscious decision to approximate a modernisation of historic names. After all, I’m writing characters who are from different ‘tribes’: Briton, Celtic, Roman, Angles, Saxons!

What are your future plans as an author?

I’ve written the sequel to A Shape on the Air and it’s set in Madeira. It’s provisionally called The Dragon Tree. Again Viv has a traumatic experience, so you can guess what that leads to! It is a time-slip/dual time story and goes back to the 14th and 16th centuries on the island which were fascinating times. I’ve also written the third in the Dr DuLac series, The Rune Stone, which returns to my favourite early medieval mystery. It involved a lot of research into ancient runes which was fascinating. Moving house in between lockdowns created a hiatus for me (so much to do and hard to concentrate) but I’m now starting a new novel, Daughter of Mercia which has cross-overs to the Dr DuLac series. For the moment, I want to stick with early medieval/Anglo-Saxon time-slip mysteries, as this has become my identified author brand. But who knows …?

http://myBook.to/ASOTA

A Chatsworth Christmas

In a corner of Derbyshire

In a beautiful corner of Derbyshire, beyond Matlock, stands the magnificent Chatsworth House and every Christmas it holds a series of special events on an appropriate wintry theme. The grand house is decorated in fantasy and visitors can walk through the different rooms each with a sub-theme. The magic happens every year, but the year that sticks particularly in my mind was the one focused on the Victorian author Charles Dickens, and of course A Christmas Carol loomed large. The scenes in each room were breath-taking and you stand in wonder looking at the amazing detail the designers created.

Of course there was a room dedicated to Scrooge’s bedroom, the haunted skeletal figure of the old man sitting up in his four-poster bed staring in wide-eyed horror at the apparition before him. And of course the ghosts of Christmas Past, Present and Future appeared in all their glory.

Another room, one of the great banqueting halls was home to Great Expectations, a huge table running the length of the hall, laden with cobweb smothered tableware, candelabras and food. As we drank in the spectacle we startled at the sight of Miss Haversham, in her ancient tattered wedding dress, moving ghost-like across towards us, muttering and moaning.

The gardens were frosty that December day and the silvery trees in the park and lining the drive added to the ghostly atmosphere.

Needless to say the gift shop provided many a gift and stocking filler, nicely in time for Christmas.

And of course, the cleverly animated snowy scene of Dickensian London prompted me to hurry home to bake my historical recipe of Victorian Boozy Plum Pudding and heat mulled wine from my Christmas Kitchen chapter of The Old Rectory: Escape to a Country Kitchen at http://myBook.to/TheOldRectory

Fancy writing a time-slip novel?How hard can it be?

Photo by Ekaterina Bolovtsova on Pexels.com

Fancy writing a time-slip mystery romance novel? How hard can it be? All you have to do is tell the story of someone from the present day finding herself in a different time – easy, right? Wrong! In fact it’s pretty difficult. There are all sorts of issues you have to work out. Why would this person suddenly fall into another time period? How would she do it? What would be the trigger? If she could do it, why couldn’t everyone else? What makes her have this unique ability?

I love reading time-slip; I’m especially keen on Pamela Hartshorne’s novels of time-slip into the Tudor age in York (Time’s Echo, House of Shadows). They’re intriguing and exciting. I’m fascinated by theories of time and the whole concept of what time actually means? All these weird and wonderful theories: quantum mechanics, the Einstein-Bridge theory of portals and worm-holes … Is it all weird – or does it make sense?

When I wrote A Shape on the Air, I’d wanted to write a time-slip story of my own for a long time, but in my case one set in the early medieval times because that’s the period I know best and am most interested in. And I wanted an intriguing mystery involved in the dual time periods. But working it all out resulted in many a restless night, loss of hair and bitten fingernails! I wanted the tone and atmosphere to be a little spooky but still feel realistic and convincing (which isn’t easy if you’re writing about what we normally think of as ghosts). In the end I found writing the ghostly parts the easiest and the mechanics of the time-slip the most difficult.

It seemed to me that my main character, Viv, needed to be someone that anybody could identify with, someone pretty ‘normal’, but make her have a traumatic event in her life which might make her vulnerable and more susceptible to the paranormal. I made her an academic who deals with facts not fantasies, and gave her an awful partner in Pete who announces that he’s leaving her for her best friend – goodness, that would send anyone off balance! – and made her lovely home and the life she knew be at risk. I also made her drink rather a lot of red wine (understandable in the circumstances!) then go for a walk beside a lake!

I then had to make someone in a responsible job commanding authority and respect, empathise and become involved with her strange experience. Who might believe her? Someone whose job is connected with other-worldly things but could be a ‘pillar of society’? It had to be a vicar. So Rev Rory was born. And so was the love interest.

Although it would have been easier for the time-slip trigger to be the lake that started it all off, I didn’t want it to be that obvious, so I had to create a whole back-history for Viv, involving her parents, especially her mother, and their untimely death. Gradually it was coming together like a jigsaw. I can’t explain any more because it would give away the secrets of the book. You’ll just have to read it and find out! I hope you feel intrigued enough to do that, and I hope you enjoy the story. I certainly enjoyed writing it – and guess what? There are two sequels already in the pipe-line, so I’ve had to work it all out again with completely different plots!

And many thanks to the reviewer who said: “she makes the fantastical believable.”

PS. If you want to find out what I’m talking about, you’ll find A Shape on the Air at

http://myBook.to/ASOTA

Deja Vu

Have you ever experienced “déjà vu”?

Have you ever experienced that feeling of ‘déjà vu’? You know, when you suddenly feel a shudder that says ‘I’ve been here before’ or ‘that’s happened to me before’. I’ve had it many times and I’ve thought – “really?” How come we sometimes enter an old house and look around and feel that it still bears the imprints of past inhabitants? I’m not talking about ‘ghosts’ or anything specific or physical, but what I have called in my novel ‘shapes on the air’.

The idea for A Shape on the Air had been brewing in my mind for a long time. I had been reading about, and mulling over,  the notion of time-slip and especially the concept of ‘worm-holes’ and the Einstein-Bridge theory of portals into other dimensions of time and space, in effect quantum mechanics. I know it sounds fanciful and Dr Who-ish, and oddly I’m not a great fan of fantasy, but I felt that this was in fact a more ‘logical’ (in some ways!) and scientific explanation of those everyday glimmers of ‘déjà vu’ and perceptions of the past that many of us experience. Those intimations that maybe the spirits of history are embedded in the fabric of old houses and ancient geology. So, what if we could take it further and, somehow, actually slip into the world of the past, another world but one to which we might have a personal connection, through our own family links perhaps, which still reverberate through us; some kind of glimpse of those shapes on the air.

Could, perhaps, our ancestors somehow reach out across time to ‘touch’ us in this world, not physically but spiritually or emotionally? Watching programmes like ‘Who do you think you are’ where the subjects research their ancestral history, I feel that there is a lot more in their discoveries than merely drawing up a family tree and timeline. They often find a rather eerie connection with their family members, in terms of character, situation, talents, life-views and professions. Of course, many of us, myself included, have looked into our family histories and see nothing at all in common with our ancestors, indeed sometimes they seem totally remote! But I’m aware that those connections and links across time can be there and that’s what I wanted to explore in my book. What if a perfectly rational, normal person could somehow touch another time? What would happen then? And what could go wrong?

The theory of worm-holes and portals through which we could slip across the time-space continuum into other historic periods and places is really only that – a theory. It’s unproven – how could it be otherwise? But it does raise some wonderfully intriguing ideas. Such a gift for a creative writer. And since it is presented by great scientific minds such as Einstein’s, it lends itself to some serious thought.

As the Reverend Rory says in A Shape on the Air, “Just think of the universe. Black holes. Even birth and death. What are they? How come you can suddenly become a thinking person, at birth, and nothing at death.”  At first Dr Viv thinks she may be suffering some kind of temporary insanity after her traumatic experience with her partner Pete and his betrayal of her. She thinks maybe that has triggered the feelings of crossing the time dimension and merging with Lady Vivianne, but as the story progresses it seems that there is more to it than that …

Find out at  http://myBook.to/ASOTA

 

Early history: the ‘dark ages’; time slipping; the time-space continuum – Getting it right

The second day of my book tour and I’ve just stopped at the lovely spot: Books, Life and Everything (I love that name!), for a guest post.

https://bookslifeandeverything.blogspot.com/2020/02/a-shape-on-air-by-julia-ibbotson.html?m=1#more

So, this is what I said …

Researching for a time-slip novel

Anybody else, like me, love the historical novels of Philippa Gregory? History, intrigue, mystery, romance, drama, tragedy – it’s all there. I’ve learned much of my knowledge of the Tudor period from her work. Even though I know they’re novels and not non-fiction academic texts, I still trust that they are reasonably accurate albeit a fictionalised ‘take’ on characters of history. I do know that she has done her research, even though you may disagree with some of her interpretations!

All the authors I know do a lot of research before and during writing their novel, but it’s especially vital if you are writing about a historical period, or a location or a concept, because you have to get it right! There are, believe me, many readers waiting to jump on the slightest inaccuracy – and that’s understandable, and quite right. Readers want to see the novel, even if it’s a fictionalised account of the time or place, as an authority. When I read such a novel I want to feel I’m learning something correct and authentic, not something wrong.

For A Shape on the Air, I had a plot involving Dr Viv DuLac slipping back in time to 499 AD to solve a mystery, so I needed to update my research on the early medieval period and also to research concepts of time. Both of these are areas I love to read about, so it was no hardship. I’d studied medieval language, literature and history at university for my first degree and was fascinated by the Dark Ages (after the Roman rule ended and the early Anglo-Saxon settlements began). There wasn’t (and still isn’t) very much researched and written about the Dark Ages, which is where it got its name, not because it was violent and barbaric (which is what many people think) but because of the lack (darkness) of evidence in archaeology and documents. In some ways I had to use my deductive powers to assess what might have been retained from the earlier Roman period and what might be developing forward into the Anglo-Saxon period. More recently evidence is now appearing, such as from the ‘dig’ at Lyminge in Kent, England, where a fifth century feasting hall had been unearthed not long before I wrote my book. And there is a growing body of archaeological, geophysical and isotopic evidence to indicate how the people of the 5th and 6th centuries lived. But I had to keep up to date with new discoveries, all the time, keeping revisiting published research documents. So there was a fair amount of both evidence and informed imagination at work as I wrote A Shape on the Air.

My research into time-slip was also fascinating. I looked again at the scientific theories of quantum mechanics, which sounds a bit like something from Dr Who, the Einstein-Rosen Bridge, and worm-holes, all basically ideas about space-time portals through which you could slip from one layer of the universe into another, or from one historic period into another. Fascinating, especially for all those who like fantasy and the paranormal, and yet these are real scientific theories of the concept of time, albeit unlikely to be tested by experiment! Strangely enough, I seem to be hearing those theories quoted so much more these days in the media. So maybe something out there is catching on!

Time-slip sounds insane, and of course Viv (in the present day) wonders if she’s going mad when she thinks she’s had a dream but brings back a real golden key from 499 AD! And her ‘dream’ is so real she begins to wonder if she’s taken on the identity of Lady Vivianne, her counterpart in the Dark Ages. How do they fit together? Why are their lives becoming intertwined? Why do they need to reach out to each other across the centuries? Well, I’m afraid that you’ll need to read it and see …!

http://myBook.to/ASOTA

Book tour off to a great start in USA and UK

My book tour gets off to a wonderful start! Two lovely reviews today: the first from Laura’s Interests at https://dogsmomvisits.blogspot.com/2020/02/a-shape-on-air-by-julia-ibbotson.html

She says: “Seamlessly slipping us between eras, this book combines the elements of mystery and romance with dangerous precision.  It appealed both to this historical fiction lover in me and the mystery lover. With great details and wonderful characters, I was drawn deeply into the book and easily blocked outside distractions.  Great escape read.”

And the second, a very long, thoughtful analysis from Radzy at Vainradical.co.uk 

“A Shape on the Air is a dual timeline novel set in both present day, and 499AD, with our main character, Viv (in present day) and Vivienne (a presumed ancestor) as they combat betrayal, heartache, and the times they’re in. This is a tale of female empowerment tossed into a healthy helping of romance and adventure, with plenty of vivid imagery to boot.

My favourite part of this novel is easily the imagery. Ibbotson doesn’t dote on minor details, and rather gives us a large picture with just enough fixtures for our minds to piece the rest together. This style allows us to become lost in the world we create, while allowing fluidity and simple fixations – such as the wonderful sounding food and drink, the fabrics, and of course the handsome Roland. I found myself wanting to have medieval breakfasts, coffee with cream and a little honey, and to touch luxurious clothing. Viv is a woman who doesn’t scrimp on what she finds joy in, and things come across extravagant and wonderful. Vivienne is from a simpler time, but the way she finds comfort in swishing, soft fabric on her feet ties the two character’s personalities together well. They’re the same woman, if we’re honest, but Ibbotson has created them to be different enough, that I could tell them apart with ease, but sought their similarities as well. They’re quite vain women, not afraid to sing their own praises, and Viv at least sees her physical prowess as her strength, rather than what’s in her mind, but she’s equally a well-educated, impeccably spoken young woman. Their ages are never spelled out explicitly, but I assume Viv is in her early thirties, there’s no way she’s not, where Vivienne I’d assume is a decade younger. This fact doesn’t matter, but something I found myself thinking about, comparing her life to mine, and how her achievements are reachable, but worked very hard for. I think what I’m saying is that this novel makes you feel something, unexpectedly, but well received. I enjoyed thinking about food, and hot coffee. I loved thinking about swishing fabrics and cold, unyielding water. This novel is sensory, in a way I didn’t expect, yet highly recommend for that sensation.

But let me quickly get back to something I just mentioned. Both women are vain, and that’s a trait which often turns me away from romance novels. The women are always perfect, gorgeous, and everyone wants them. This doesn’t steer away from that enough to not put me off a little, especially with how other characters are described to not overshadow our leading ladies, but this doesn’t take over the story, so I could easily look past it. It’s not something I’d be aware of if you’re looking to read this, or something to bear in mind, especially if romance novels are something you love, but it’s not something I personally enjoyed. Female empowerment doesn’t need to come at the expense of others and describing the former friend as ‘homey’ and ‘comfy’ and ‘how could he want her when I’m here’ is combative. True to character, yes, but combative.

That said, I truly enjoyed the same plot essentially being told twice, but suitable to a t to the time. Viv opens the novel cooking a delicious sounding dinner for her and her other half, Pete, when he comes home and says he’s leaving her. He’s been seeing someone else. Rapidly, Viv’s life starts to spiral – Pete has already taken most of her money and is now seeking to sell their flat and take more money he’s not entitled to. This man we were introduced to in Viv’s mind as handsome, sweet, and loving, is conniving, selfish, and infuriating. He’s the perfect representation of when a human forgets others have feelings too, and becomes so wrapped up in themselves, they take full advantage of everyone. His ex could become homeless, he doesn’t care. She’s been paying 75% of the mortgage. He doesn’t care. Her career could suffer from his pure selfishness. As long as it’s not his business suffering – he doesn’t care. Pete, this sweet man we were promised, is disgustingly self-absorbed, and this shift is jarring – and perfectly suited to the hurricane of emotions Viv finds herself in. On the flip side, Vivienne is a young woman, living in her late father’s kingdom, but forced to be at the will of her ‘guardian’, Sir Pelleas, who is only desperate to wed her, force her to have his child, and be his doting wife, so he can have her kingdom and riches. Unlike Pete, Pelleas is never shown in a good light, which I liked (I do love when authors aren’t afraid to just make fucking awful people, even if I hate them with a passion, it’s a skill) and Pete’s actions are faintly mirrored by Pelleas, with about a year’s difference. Pete was seeing the other woman, he was colluding with her, and then they strike. It’s obvious they’ve been seeing one another for a while, and as it’s declared the other woman is pregnant a couple days after Pete leaves Viv, we can only assume this is what made him finally go. Pelleas on the other hand is still plotting, working with Vivienne’s lady in waiting, and seeing her behind Vivienne’s back. The two storylines are very similar, but told in carrying enough ways, with the trials and tribulations of the times, to be different enough to be enjoyed. I also think at some point I should mention Roland, or his modern equivalent Rory, the excruciatingly handsome man who just wants to see Viv, or Vivienne happy, and doesn’t mind being a tease while doing so. He’s sweet, wonderful, and the perfect leading man in this genre. I bring him up because there’s a trend in fiction to create brooding, hard to reach, so tantalising, men, but Ibbotson doesn’t bother with that. The good guy is great and kind, and the bad guy is an ass. There’s no teetering between, or the sullen hero who needs saving, and this was refreshing. I loved just being able to enjoy Roland/Rory, and how sweet he is. If you enjoy a novel where your main men aren’t all broken and need piecing back together, this is a book to check out.

This is also a book to check out if you love timeslips, well researched historical novels, and stories of strong women defeating evil, and getting their happy endings. There are characters who you’ll want to scream at, and moments you’ll melt over, and overall, even if romance isn’t you genre, as it isn’t mine, if you love well-constructed, dual narration, mirrored novels, I’d recommend this.”

Great reviews and interesting comments from both – thank you!

Upcoming Book Tour with A Shape on the Air

The wonderful award-winning book blog tour organiser, Rachel Gilbey, at Rachels Random Resources.com, is hosting a tour with my latest medieval timeslip romance/mystery from 4th to 10th February 2020. The week-long tour is full and I’m excited to see the posts! Many thanks to all the lovely bloggers who are taking part; it’s so much appreciated by authors that there are these enthusiastic readers who spread the word for their work.

My guest posts include thoughts on: Researching a timeslip novel and Deja Vu

and there will be extracts from the book to tempt you and three Q & As that just might reveal some secrets!

http://myBook.to/ASOTA

 

Fascinating history: were the Dark Ages really so dark? Myths and misconceptions uncovered.

Why do we call this period the ‘dark ages’?

Recently, while I was on holiday in the sun, I read a fascinating book by Professor Susan Oosthuizen (The Emergence of the English 2019) which resonated with me and the ‘thesis’ underpinning my historical (‘dark ages’) time-slip novel A Shape on the Air. The background to my novel rests on my belief that the so-called ‘dark ages’ were not a time of brutal barbaric suppression by the ‘invaders’, the Angles, Saxons and Jutes from the continent of Europe – but instead, that it was a time of more gradual change with a succession of migrations from Europe and a settling and merging of communities: the Britons/Celts with the Romans then with the Angles and Saxons.

http:myBook.to/ASOTA

So we all know the traditional conventional idea of the ‘dark ages’, don’t we? A time when the civilised Romans left and Britain collapsed into chaos, with villas and towns destroyed and warring tribal barbarians raping, plundering and pillaging each other all over the place? And didn’t the invading Saxons add to the mêlée until the great King Arthur came and sorted them all out?

Well, not necessarily so …

Firstly, we have conventionally referred to the ‘dark ages’ as the period between the withdrawal of the Roman occupying forces (commonly dated at 410) and the mid to late 8th century when the Anglo-Saxon kingdoms were fairly well established. But why ‘dark’? Tradition has it that it was a time of ignorance and barbaric brutal fighting, and that little of the civilisation, culture or administrative organisational efficiency of the Romans remained. Images of marauding ancient Britons and brutal Saxon invaders, with the settlements and the rule of law abandoned, spring to mind.

But academics and archaeologists now prefer to call 400-600 AD  the ‘late antique’ period (‘early medieval’ 600-850AD, ‘pre-conquest 850-1066AD), although some also refer to it as ‘early medieval’. It was only ‘dark’ because we didn’t have the records, documents, artefacts in evidence. Now, in the light of finds (eg in Kent, Essex, Oxfordshire, Yorkshire, Cornwall, etc), that picture is changing.

Some of the myths and misconceptions?

There are many: from the date and ramifications of the Roman withdrawal of troops (sudden departure or gradual?), to the state of Britain in its wake (collapse or continuity?), to the status of King Arthur (literary myth or historical saviour?).

Did the Romans really abandon Britain in 410? That has long been the date we assume the Romans left Britain, summoned back by Honorius  to defend Rome. Traditionalists have believed that the Romans abandoned their villas, their culture, and left en masse, for the ignorant Britons and Celts to allow civilisation to go to rack and ruin.

Now a different view is emerging. It appears (eg from studies of Notitia Dignitatum 4th/5th c AD) that Roman military units were still here much later, suggesting a gradual withdrawal over possibly half a century, and even the ‘Honorius edict’ is in dispute. We only have ‘evidence’ written in the 6th ,7th and 8th centuries either by Byzantine officials or writers such as Gildas, Bede and Nennius, who are now regarded as distant from events, subjective and unreliable.

Domestic archaeology is also beginning to indicate that sites were occupied and developed long after Romans began to leave, and that there was continuity of occupation/population (eg Lyminge, Mucking, Barton Court, Orton Hall, Rinehall, West Heslerton, to name a few). Artefacts and building use suggest that there was a much more gradual change post-Roman occupation and during the migration of new waves of Angles, Saxons and Jutes, rather than sudden brutal invasions. Hence there was a slower cultural shift towards a settled British society. Of course, this is not to say that there weren’t bitter inter-tribal battles going on for land acquisition, nor that there wasn’t deep suspicion of the Saxons.

But the ‘modernist’ view is that there was much more mingling of Romano-British society than previously thought, through inter-marriage with the remaining Romans, and likewise for Britons and Celts and even Saxons.

This view of gradual change and evolution by way of immigration and settlement, rather than sudden brutal change from invasion and suppression by Anglo-Saxon marauders, is one advocated by (among others) Professor Susan Oosthuizen (The Emergence of the English 2019). She offers some fascinating insights into evidence from documentary, archaeological, and landscape studies.

As to King Arthur, much as I’d love to believe in a brave 5th/6th century Celtic/Briton saviour who defended Britain against the Saxon invaders, I’m afraid that it’s unlikely that this is entirely historic truth. Our image of Arthur and his Round Table knights is largely from Mallory’s 15th century work ‘Morte d’Arthur’. It’s now suggested (eg Nicholas Higham 2018) that the myth originates from the 12th century Benedictine monks of Glastonbury Abbey who made a ‘miraculous’ discovery of the bodies of King Arthur and Queen Guinevere in the grounds as a cunning ploy to raise funds to rebuild the abbey. An elaborate wheeze? Such cynicism: they must have read Geoffrey of Monmouth’s tales of Arthur’s chivalric deeds of a few decades earlier!

However … recent archaeological finds at Tintagel, Cornwall (2016), have revealed a high status 5th/6th century palace, probably the main residence of the kings of Dumnonia, with evidence of global trade and fine cultured living. It’s even mooted that this was a ‘client state’ of the Roman Empire from 5th to 7th century. Was this the home of some kind of real King Arthur? The jury’s still out.

How have I brought my research in to my novels?

In my last novel, the early medieval (so-called ‘dark ages’) time-slip A Shape on the Air, the world of the late 5th century is depicted as rich with cultural and religious artefacts, and intermarriage between Romans, Britons, Celts and Saxons, although at times fraught with dispute. Their world, in the midlands of England, is more concerned with Picts raiding from the north than internal fighting as such. The main conflict is between Sir Pelleas (a Saxon pagan), who is adopted by Sir Tristram (a Romano-Briton), succeeding him as chief of the settlement, and Tristram’s daughter Lady Vivianne, a Christian.  In my story, the inter-marriage of Lady Vivianne’s parents (her mother is also a pagan but Celtic-Briton) intermingled Christian values and rites with more magical ancient deism. Bringing in to my tale the magical ‘king’ Arthur (Arturius), as a mystical Celtic leader of this time with Roman connections, as well as a legendary figure of literature, also signifies the mingling of cultures and beliefs. And adds a bit of magic (and why not? Even historic novelists are entitled to creative imagination)!

Personally, I do believe in the logic of unbroken continuation and developing richness of the world of the Romans, Celts, Britons, and Anglo-Saxons and that the ‘dark ages’ are only so-called because we haven’t found definitive answers yet. Now, that picture’s changing, so perhaps we should delete the term ‘dark ages’ and instead use a more positive term to reflect a period that is intriguing and emerging. Some academics use ‘early medieval’. Oosthuizen uses the term ‘late antique’ for the period 400-600AD (with ‘early medieval’ for 600-850AD). What do you think?

© Dr Julia Ibbotson (2019)

Lives intertwine across time and space

Can an ancient key unlock the secrets of past and present? Two women reach out to each other across the centuries in A Shape on the Air. It’s a medieval timeslip mystery with more than a little romance. To celebrate my upcoming Bookbub deal on April 16th when it will be on offer in the UK, US, Canada and Australia, my publisher Has reduced the price to 99p/99c for a couple of weeks. So I’m tempting you with a free preview of the first chapter. Just click below. I hope it’ll be a treat in time for Easter. Get it soon and enjoy! Along with the chocolate and hot cross buns of course!

And thank you so much for your interest. If you enjoy the book and have a moment, please do post a short comment up on Amazon and/or Goodreads. Authors really do appreciate reviews, however short.

With best wishes, and love,

Julia

Book Tours and a plot ‘spoilers’ challenge

The brand new Drumbeats Trilogy Omnibus edition is just out in ebook from my publisher Endeavour, and it’s available on Amazon right now – all three novels together in one place for only £5.99. The trilogy overall is a saga about love, betrayal and second chances – and one woman’s search for the strength to rise above adversity.

http://mybook.to/DrumbeatsOmnibus

It’s the story of Jess and we first meet her in Drumbeats as an 18 year old in 1965 on a gap year in Ghana (West Africa) where she’s teaching and nursing in the bush. She goes with a naive mission to make a difference in the world, but faces tragedy, civil war, and a new romance – with the echoes of the village drumbeats warning her of something … but what?

The next, Walking in the Rain, follows Jess back to England, and marriage, motherhood, and disaster … and the drumbeats continue to pervade her dreams.

The final book, Finding Jess, published singly just last August, sees Jess coping with betrayals, family problems and desperately trying to juggle a job at the same time … and finally returning to Ghana to try to ‘find herself’ again as an individual. Will she succeed? And what are the drumbeats trying to tell her throughout it all?

Some of the wonderful reviews I’ve already received: “scenes of raw emotion”, “an emotional roller-coaster”, “a heart-warming read, wonderfully written, compelling, warm and uplifting”“feel the searing heat of Ghana burning right off the pages”, “a powerful story”, “so evocative, it transported me to a different time, different place; I couldn’t put it down”.

There’s a major launch of the omnibus edition and a book blog tour with Rachel’s Random Resources from January 26 to February 8. The tour’s full and all ‘sold out’ for 42 stops. So, I’m busy preparing content for the tour: guest posts, Q&As, selecting extracts …

How do you select extracts from all three books without giving away ‘spoilers’ for the plots? Goodness, it’s difficult! I’ve worked on several attempts. One host wants an extract from just one of the books, OK, but I have to select very carefully as it’s the second book in the series. Two of the hosts want extracts from all three and a few words about the context of each one. Fair enough, but what a challenge. All three hosts need a selection of different extracts, because I guess many blog readers will be following the whole tour and obviously don’t want to be reading the same stuff over and over! I wouldn’t! Should I take a different ‘theme’ for each, maybe? But even so, how do I do it, especially the context statements, without giving away too much of what happens to Jess through three whole novels and 30 years?! Well, I’ve given you enough above! Yikes.

Any advice, gratefully received! In the meantime, I’ll be ensconced in my study for the duration.

Get those brain cells working overtime, Julia. I WILL get there … eventually! In the meantime, I’ll pop up the official book tour banner from my tour organiser shortly. Six guest posts and Q&As drafted … nearly there …